References: What the Camera Knew Before I Did

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This page lists the verified references for What the Camera Knew Before I Did, part of the A Human Geography of the Self series. All citations have been fact-checked against CrossRef DOI records. Corrections from the original post are noted below.

Verified References

Barron, A. (2025). Photo go-alongs for researching the relations between people and place. Area, 58(1), Article e70050. https://doi.org/10.1111/area.70050

Klingorová, K., & Gökarıksel, B. (2019). Auto-photographic study of everyday emotional geographies. Area, 51(4), 752–762. https://doi.org/10.1111/area.12537

Lombard, M. (2012). Using auto-photography to understand place: Reflections from research in urban informal settlements in Mexico. Area, 45(1), 23–32. https://doi.org/10.1111/j.1475-4762.2012.01115.x

Maclean, K., & Woodward, E. (2012). Photovoice evaluated: An appropriate visual methodology for Aboriginal water resource research. Geographical Research, 51(1), 94–105. https://doi.org/10.1111/j.1745-5871.2012.00782.x

Tuck, E., & Habtom, S. (2019). Unforgetting place in urban education through creative participatory visual methods. Educational Theory, 69(2), 241–256. https://doi.org/10.1111/edth.12366

Wang, C., & Burris, M. A. (1997). Photovoice: Concept, methodology, and use for participatory needs assessment. Health Education & Behavior, 24(3), 369–387. https://doi.org/10.1177/109019819702400309

Fact-Check Notes

Klingorová & Gökarıksel — author name spelling corrected. The original post rendered the surnames without diacritics as “Klingorova” and “Gokariksel.” The verified spellings from CrossRef records are Klingorová, K., and Gökarıksel, B. This is a common transcription issue with non-ASCII characters in academic databases.

All other citations in this post verified correct against CrossRef DOI records: authors, year, journal title, volume, issue, and page numbers confirmed.

Verified June 29, 2026 against CrossRef DOI database.

Author: Amy Tucker

Amy Tucker is a graduate of the Master of Human Rights and Social Justice program at Thompson Rivers University on Secwépemc territory. Her work develops alonetude—intentional, positive aloneness—as a counter-frame to loneliness, across personal, somatic, and structural registers. 30 Days by the Sea is her digital thesis.

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