The Hospital Bag I Packed for Her

Reading Time: 2 minutes

I knew what to put in it because I had packed one before, for myself, for the births, for the two mornings when I stood in my own house at four a.m. or five a.m. and zipped a bag and knew that I was going somewhere I would not come back from the same.

I packed hers on a Sunday evening.

I stood in her bedroom and I opened the drawers that I know as well as my own now, from the years of helping, and I chose the nightgown she would want, the one she considers suitable for being seen in, because she is a woman who has opinions about being seen even in a hospital bed, especially in a hospital bed, the dignity of a well-chosen nightgown as one of the last things she can still control and she will control it. The slippers. The cardigan for the cold of air-conditioned corridors. The small photograph she keeps on her bedside table that I wrapped in her cardigan so it would not break.

I packed the photograph without asking her.

I knew she would want it. Forty years of watching her I know what she would want before she says it, the way you come to know the person you love best, not by asking every time but by accumulation, by the slow building of a knowledge that lives in the body rather than the mind, that is faster than asking, that arrives before the question does.

She looked at the bag when I brought it and said: you remembered my cardigan.

Not a question. A recognition. She has always been cold in hospitals, has always needed the extra layer, has mentioned it every time, and I remembered, and the remembering was the only language available to me in that moment, the language of attention paid over years, the language of having shown up enough times that the cardigan is something I know without being told.

I zipped the bag and put it by the door.

I sat with her for an hour after. We watched the program she likes. We did not talk about the bag or the morning or what would happen when we got there. We watched the program and I held her hand when the commercial came and she let me, which is not always something she lets me do, and the letting was its own kind of language, its own kind of answer to everything I did not say and she did not say and both of us understood anyway.

Author: Amy Tucker

Amy Tucker is a graduate of the Master of Human Rights and Social Justice program at Thompson Rivers University on Secwépemc territory. Her work develops alonetude—intentional, positive aloneness—as a counter-frame to loneliness, across personal, somatic, and structural registers. 30 Days by the Sea is her digital thesis.

Leave a Reply

Your email address will not be published. Required fields are marked *