The Weight of Her Coat

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She has always had a coat for every occasion.

That is the kind of woman she is, or was, the kind of woman who understood clothes as a form of readiness, who did not leave the house unless she was prepared for whatever the day might require of her, who took that seriously, the preparation, the presentation, the small daily ceremony of being a woman who was put-together before she went out into the world that was going to look at her and form opinions before she spoke.

Last winter she forgot which coat was for what.

Not all at once. The forgetting came slowly, the way it comes, reorganizing itself around her so quietly that by the time I noticed the reorganizing was well underway. She wore the heavy coat in October when it was still mild. She reached for the light one in January and I had to redirect her gently, the way you redirect someone gently, the way that is not correcting, that is steering, that is keeping your voice level while your heart is doing something that is not level at all.

I help her with the coat now.

I hold it open and she puts her arms in and I settle it onto her shoulders and sometimes she pats my hand and says thank you in the voice of a woman who knows she is being helped and is still deciding how she feels about being helped, still negotiating the dignity of it, the way that needing help with something you have done without help for eighty years sits differently in the body than needing help with something you never could do alone.

I think about the times she helped me with my coat.

The small-child years when she held it and I put my arms in and she would tug it down at the back and say there. I did not notice it as love then because it was just Tuesday. It was just leaving the house. It was just the ordinary efficiency of a mother preparing a child for weather. I know it now as love. I know it as the love that lives in the practical, in the coat-holding and the appointment-driving and the name-saying, in all the small attending that does not look like love until you are the one doing it and you feel it in your hands.

There.

That is what I say now when the coat is settled onto her shoulders. There. The same word. The same small ceremony. The same ordinary act of love.

Author: Amy Tucker

Amy Tucker is a graduate of the Master of Human Rights and Social Justice program at Thompson Rivers University on Secwépemc territory. Her work develops alonetude—intentional, positive aloneness—as a counter-frame to loneliness, across personal, somatic, and structural registers. 30 Days by the Sea is her digital thesis.

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